Elizabeth captures the reckless thrill of romance like no other. On her debut album the wonderful world of nature, she stepped away from a messy divorce like a world-weary heroine pulling herself from the wreckage of a car crash: broken glass shining like glitter, bloodstains smearing like blush. Contrasting lush dreampop haze with visceral, disarmingly truthful lyricism, it was a pop record out of time — glamorous and tragic, ultra-modern and undeniably timeless.

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